That was yesterday 1

That was yesterday 1

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samedi 9 août 2014

Alan Stivell - Live a l'Olympia in Paris



 
Alan Stivell - Live a l'Olympia in Paris


      

http://www.alan-stivell.com/https://en.wikipedia.org/wiki/Alan_St...
Alan Stivell - Live a l'Olympia in Paris 1
Live, released in 1972 Songs / Tracks Listing
1. The Wlnd Of Keltia (3:42)
2. An Dro (3:07)
3. The Trees They Grow High (3:04)
4. An Alarc'h (2:25)
5. An Durzhunel (3:23)
6. Telenn Gwad
7. The Foggy Dew (3:59)
8. Pop-Plinn ((3:37))
9. Tha Mi Sgith (4:22)
10. The King Of The Fairies (3:20)
11. Tri Martolod (4:27)
12. Kost Ar C'Hoad (3:54)
13. Suite Sudarmoricaine (3:29)
Total time 42:49 celtic folk rock,
Alan Stivell biography
Born in 1944 in Gourin, Brittany, France, Alan Cochevelou was the son of Georges, who had re-discovered the Breton harp, and became a builder of said instrument. He gave Alan his first harp when Alan was only 9, and the boy was playing concerts before he reached his teens. He took an interest in pan-celtic music and became a professional musician at the age of 21. His adopted surname means "source". While he possesses a charming voice in Breton, French and English, his status as the savior of the Breton harp is unshakable. His willingness to explore the integration of the harp with other instruments and styles is what puts him in the same class as jazz greats who helped break down stylistic barriers and achieve recognition across the spectrum.

His first two recordings were done in the early 60s and eventually combined on one release. They represent the more "authentic" side, containg mostly well known traditional tunes played on solo harp. He did not release again until 1971 with the groundbreaking "Reflets" that introduced his endearingly languid vocal style to the richly plucked harp and set the groundwork for what was to come. He made the traditional his own and his own traditional. His most regarded early album is the instrumental work that summed up what his family had done from the perspective of the harp - "Renaissance de la Harpe Celtique" in 1972. Pre-dating the new age genre by over a decade, it simultaneously shows how beautiful that style could be when wedded to an ancient muse, and the degree to which so much new age music is superficial pseudo-intellectual doodling.
A succession of other accomplished albums followed in the 70s, such as "E Langonned" (1974) and "Journee a la Maison" (1978). He upped the ante with "Celtic Symphony" (1979), a heavily orchestrated affair that garnered mixed reviews and was nothing if not ambitious. Later albums that tend to receive accolades include "Mist of Avalon" (1991), Brian Boru" (1995) and even the more hi-tech "Explore" (2006). Over the years his output has been prolific - of course, as with any venerable artist, much overlap and many compilations and rereleases make it hard to discern the true output of the man. While he remains highly respected, his earlier work tends to remain the most recommended.
Through his nearly 50 year recording career, Stivell has never stayed still. While his explorations have not always been of interest to more dogmatic progressive fans, his tendency to shift gears and styles qualifies him for progressive archives, while his perennial roots make him a progressive folk natural.






Blind faith in Hyde Park 1969




 
 
 
Blind faith in Hyde Park 1969
    

      
 
 
 

Tangerine Dream (1987) Tyger [Full Album]




 
 
Tangerine Dream (1987) Tyger [Full Album]

       
 
all tracks by Christopher Franke / Edgar Froese / Paul Haslinger; lyrics by William Blake
00:00 01. Tyger 5'13 (???; according to allmusic.com)
05:46 02. London 14'25
20:08 03. Alchemy of the Heart 12'07
32:25 04. Smile 5'53
38:30 05. 21st Century Common Man, Pt. 1 4'49
43:25 06. 21st Century Common Man, Pt. 2 4'00
47:24 07. Vigour 4'57
52:02 total
 
 
 

Androcell - Entheomythic [Full Album]






Androcell - Entheomythic [Full Album]


        

http://androcell.bandcamp.com/album/e...
https://www.facebook.com/androcell
1. Endless Wonder 0:00
2. Mysterious Union 6:47
3. Desert Nomad 14:23
4. Ganja Baba 22:44
5. Night Sorceress 31:57
6. Synchromystic 41:12
7. Higher Circuit Experience 48:49
8. Full Sail 56:20
9. Dub Gardens 1:03:45




Monterey Pop Festival 1967 Bonus Performances


 
 
 
 
 
Monterey Pop Festival 1967 Bonus Performances

     

Performances from the Monterey Pop Festival not released on the original documentary by D.A. Pennebaker. Nearly two hours of bonus footage from the Criterion Collection release of Monterey. The Festival that marked the beginning of the summer of love and spurred one of musics most creative and influential era's. This includes performances by:
The Association- "Along Comes Mary"
Simon and Garfunkel- "Homeward Bound" 3:55 "Sound of Silence" 6:46
Country Joe and the Fish- "Not So Sweet Martha Lorraine" 10:00
Al Kooper- "Wake Me, Shake Me" 15:20
The Butterfield Blues Band- "Driftin' Blues" 22:50
Quicksilver Messenger Service- "Dino's Song" 27:34
The Electric Flag- "Wine" 30:51"
The Byrds- "Chimes of Freedom" 33:40 "He Was A Friend of Mine" 37:36 "Hey Joe" 40:30
Laura Nyro- "Poverty Train" 42:55
Jefferson Airplane- "Somebody To Love" 48:24
The Blues Project- "Flute Thing" 52:29
Big Brother and the Holding Co. w/ Janis Joplin "Combination of the Two" 1:03:07
The Buffalo Springfield- "For What It's Worth" 1:08:57
The Who- "Substitute" 1:12:30 "Summertime Blues" 1:16:19 "A Quick One" 1:19:57
The Mamas and The Papas- "Straight Shooter" 1:28:14 "Somebody Groovy" 1:32:00 "I Call Your Name" 1:34:53
(Hilarious antics of Mama Cass) 1:38:46 "Monday, Monday" 1:40:36
Scott McKenzie- "San Francisco" 1:44:30
The Mamas and The Papas and Scott McKenzie- "Dancin' in the Street" 1:48:05
All rights credited to Criterion Collection

 


The Guitar Gods - Duane Allman & Dickey Betts ABB - "Whipping Post"





 
The Guitar Gods - Duane Allman & Dickey Betts ABB - "Whipping Post"